Our terrestrial future is a take on the classic Australian landscape painting but in this case as a set of moving images. Constructed from a series of Photographs, it captures the dynamic and biodiverse Pilliga forest in a full spring bloom. The work exists as a computer program generating a stream of endlessly evolving images. The video here is a randomised excerpt captured as video.
Strategically these works borrow from Brian Eno's early (1970s) experimentation with tape loops. Compositional variation achievable in the sound/space are created here, in the visual domain, by introducing noise modulated feedback to ensure no two images will repeat.